The SS Philadelphia prior to World War I. |
The SS Philadelphia with Marconi's radio masts. |
The confirmation by Officer Marsden that the transmission of February 25, 1902, had been received. |
Four months later, after Marconi had startled the crew of the Philadelphia and the world, Officer Marsden would interview Emiddio. Marsden dutifully asked the questions on the form: He asked whether Emiddio had ever been in prison or an almshouse or supported by charity. He asked if he were a polygamist. He evaluated his physical and mental health. Satisfied, Marsden then signed the affidavit at the bottom of page “G” of the ship’s manifest:
I, C. Marsden, Chief Officer of the “Philadelphia” from Southampton, do solemnly, sincerely, and truly swear that I have made a personal examination of each and all of the passengers, 30 in number, named on the foregoing List or Manifest, and that I have caused the Surgeon of said vessel, sailing therewith, or the Surgeon employed by the Owners thereof, to make a physical examination of each of said passengers, and that from my personal inspection and the report of said Surgeon, I believe that no one of said passengers is an idiot or insane person, or a pauper, or likely to become a public charge, or suffering from a loathsome or dangerous contagious disease, or a person who has been convicted of a felony or other infamous crime or misdemeanor involving moral turpitude, or a polygamist, or under a contract or agreement, express or implied, to perform labor in the United States, except such as are expressly excepted under the law. And that also, according to the best of my knowledge and belief, the information in said list or manifest, concerning each of said passengers named thereon, is correct and true.
Detail from the ship manifest of the affidavit signed by Officer Marsden. |
La Fontaine Bartholdi in Lyon |
This was Emiddio’s second west-bound Atlantic crossing. The Statue of Liberty welcomed him to L’America a second time. The skin of Bartholdi's great colossus was a dull copper the last time Emiddio had seen it, but now a green patina had begun to spread that would cover it completely in a few years. Perhaps, after living in France, Emiddio knew its French name: La Liberté éclairant le monde, Liberty Enlightening the World. Perhaps, he had even visited Lyon, not a great distance from his village and there had been family there, and seen another of Bartholdi’s sculptures, the magnificent fountain in the Place des Terreaux – Marianne, the allegorical figure of France, riding a chariot pulled by four barely controlled horses, the four great rivers of France: the Seine, the Loire, the Rhône, and the Garonne.
Perhaps, upon entering New York harbor, Emiddio thought of France, which he had just left behind, of Provence, where he had been living. Years later, he would publish a book of poems in Avignon, poems which celebrate Provence. “The Serenade of Our Village Near Avignon” (“La sérénade de notre village près d’Avignon”) begins
O brillant ciel étoilé de notre village !
Animé par le beau clair de la lune.
La sérénade d’amour est de notre propre langage,
Le chant est pour la rouge, la blonde ou brune.
“Oh, shining starry sky of our village, charged by the beautiful light of the moon. The serenade of love is our own language. The song is for the red-haired, the blonde or brunette . . .” Emiddio was sixty-eight when this poem was published. But this was the poem of a young man. Or of an old man recounting the emotion of his youth. It was this young man who would pass through Ellis Island and board the train for Chicago. No doubt, on his long journey across the American heartland, he would think of the family he left behind, the redheads, the blondes, the brunettes, but also he would consider this new America, which he would now face alone.
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